Peter and Rebecca Harris: mid-forties denizens of Manhattan’s SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in the family as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.
Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.

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KEVIN KINSELLA –
A Masterful Exploration of Desire, Art, and Identity: A Review of “By Nightfall”
A Masterful Exploration of Desire, Art, and Identity: A Review of “By Nightfall”Michael Cunninghamâs *By Nightfall* is a novel of rare subtlety and precision, a work that is both quietly introspective and profoundly resonant. Set against the backdrop of New York Cityâs art world, the novel explores themes of longing, identity, and the fragile illusions that shape our lives. It is a book that knows exactly what it is and what it wants to say, and it accomplishes this with remarkable elegance and control.The story follows Peter Harris, a successful but somewhat disillusioned art dealer in his forties. He has built a stable life with his wife, Rebecca, but finds himself questioning the meaning of it all when her much younger, magnetic brother, Ethanânicknamed Mizzy (short for âThe Mistakeâ)âcomes to stay with them. Mizzy is a beautiful, aimless young man, the type who seems to drift through life effortlessly, yet with a mysterious gravity that draws others toward him. For Peter, Mizzyâs presence awakens something dormantâan unsettling mix of admiration, nostalgia, and undeniable desire.Cunninghamâs portrayal of Peterâs internal struggle is masterful. His prose is lyrical without being overwrought, his observations sharp yet never cruel. This is a novel that treats its characters with a gentle hand, allowing them to reveal themselves slowly, in moments of quiet revelation rather than grand gestures. Peterâs attraction to Mizzy is not just about sexuality; it is about youth, about the haunting possibility of a different life, about the ache of knowing that time has already passed him by in ways he cannot reclaim. The novel does not sensationalize Peterâs emotions, nor does it moralize themâit simply presents them as they are, with honesty and grace.At the same time, *By Nightfall* is a sharp, knowing portrait of the art worldâits pretensions, its fleeting obsessions, its paradoxical blend of deep sincerity and shallow commercialism. Peterâs career in the art market is one of careful curation, of seeking out meaning in objects that are often valued more for their price tags than their artistic merit. Through his eyes, we see a world where beauty and authenticity are constantly in question, where the difference between genius and fraud is often just a matter of perception.Cunningham is particularly adept at capturing the nuances of human relationshipsâthe tiny shifts in tone, the barely perceptible moments of betrayal or realization that shape the way people interact. Rebecca, too, is a fascinating character, not merely the passive wife but a woman with her own complexities and regrets. The marriage between Peter and Rebecca feels lived-in, full of affection and history, yet also burdened by the slow erosion of passion and spontaneity.What makes *By Nightfall* so compelling is its restraint. Cunningham does not spell things out or force dramatic conclusions; instead, he allows the story to unfold naturally, in the way life doesâmessy, unresolved, but deeply felt. The novel does not scream its themes; it whispers them, making its impact all the more powerful.In *By Nightfall*, Michael Cunningham has crafted a novel that is deeply insightful, achingly human, and profoundly moving. It is a meditation on beauty, desire, and the fleeting nature of both. With a deft, confident touch, Cunningham reminds us that lifeâs most profound truths often exist in the spaces between words, in the silences we are too afraid to fill.
James Hiller –
Deliciously Creative Art for the World to Feast
Big Michael Cunningham fan here. It all started with the delicious and surprising The Hours: A Novel, which catapulted him into the stratosphere of literary infamy. I soon devoured his work, enjoying some Specimen Days: A Novel and A Home at the End of the World: A Novel more than others Flesh and Blood: A Novel. So, it was with glee and anticipation that I purchased “By Nightfall” for my Kindle, and in turn, was served a novel of complexity, intrigue and an occasional digression to overlook.Meet Peter and Rebecca, a middle aged New York City couple, one grown daughter off to Boston, and Rebecca’s younger brother coming to visit. Thoroughly in love, possibly back when, the two adults come to lean and support each other, yet are occasionally disjointed. News of Mizzy’s (the brother) visit serves as a catalyst, both apprehensive, both concerned. Still, he arrives, fresh from some sort of sojourn out in the Far East. His arrival affects both, but not more than Peter, who is surprisingly finding himself drawn to the young lad after a couple of mistaken encounters that allow Peter to see him for the first time. The book toys with the basic theme of “will he” or “won’t he”, if when you aren’t sure as to Mizzy’s own orientation.In fact, two of the strongest points for me were the character of Mizzy and New York itself. First, directionless and coddled Mizzy, who at the age of twenty-three oozes an undefined sexuality that Peter knows but can no longer hope to have. Mizzy steals scenes he’s in, it a kitchen, in a garden, in a Starbucks. I wondered if Cunningham himself based Mizzy on someone he knew; so rich, complete he was. Same can be said of New York, which serves as a much needed backdrop to this story. This setting is essential. I cannot see this same story working anywhere else in the country, nor the world.Cunningham’s personal lure has always been the craft of his sentence work. He makes every word work for him, and in turn, offers brilliant insights into the human condition that only a turn of a phrase can do. Many times I found myself rereading a sentence, or even marking a whole paragraph, from making such an intimate connection for me. Many reviewers noted this as a quick read, and it is, but as with Cunningham’s books, they are meant to be savored.So why four stars instead of five? Ah, my own personal ignorance lead to that decision. Time and time again, Michael Cunningham, who I believe has taught college English, peppers his story with references to characters, possibly literary if not in mythology, of which I was unfamiliar. Perhaps those in the know delight in his connections; I found them minor stumbling blocks in my enjoyment of the story, as if I should have Wikipedia nearby to look up said reference to understand the depth of the sentence. I did not. I wanted to be immersed in Cunningham’s New York, and I didn’t want to have to educate myself along the way to do so. Also, occasionally, Cunningham peppers his character with name brands, many of which I was unfamiliar. Slightly distracting, but not to a big effect.By Nightfall is a wonderful read. By novel’s end, the final scene seems to be somewhat tacked on, and possibly even unnecessary, that is, until I read the last sentence, and I realized what an introspective, sometimes erotic, and always enchanting story he created.
Bob Lind –
Non-diehard fans of Cunningham may be a bit disappointed.
Peter Harris is in a midlife funk. His career as a NYC art gallery owner, as well as his personal life, seems to be on a downswing. His wife, Rebecca, is preoccupied with an impending buyout of her arts and culture magazine, and his emotionally-distant daughter unexpectedly dropped out from college to become a bartender. When Rebecca’s manipulative younger brother, Mizzy, comes to visit, Peter finds himself inexplicably drawn to the college dropout/slacker/druggie, with results that turn all of their lives upside down.I read and enjoyed two of Cunningham’s previous works, “A Home At The End of the World,” and “Flesh and Blood.” In those, as in this new novel, he doesn’t just present characters in a story. The characters are meshed in a collage of conflicting emotions, while the plot is a tapestry of vivid sights, sounds and ideas that frame the action in a way that makes it understated yet more powerful. Unfortunately, I think the presentation overcomes the characters (not particular strong or relatable in any way) and the story (far from compelling or particularly interesting). The book is still well-written overall, and the author’s diehard fans will likely be satisfied. I give it three stars out of five.
Vaughan –
I expect allot from Michael Cunningham. So many of his characters are developed with clever, surprising details. If you’ve read “The Hours,” or “Specimen Days,” you know what I’m talking about. In this novel about male mid-life crisis, too many of the characters are smug, gendered stereotypes.
Román Facundo Espino –
Uno de los mejores libros de Cunningham, que alcanza aquà un exitoso balance entre lirismo introspectivo y “novela de costumbres”.Excelente.
Marco 74 –
Questo libro si legge tutto d’un fiato tanto riesce a essere coinvolgente ed emozionante.L ‘ho apprezzato tantissimo per come è narrato , una vicenda delicata e sofferta ….assolutamente consigliato!!!
A. McGuire –
As other reviewers have said, this isn’t a “big” book. It centres round the relationships between three people, and the consequences of a moment of sexual ambiguity. Themes of beauty, using others and being used by others, deception and betrayal are played out on a small canvas.What makes the book special is, first, the quality of Cunningham’s observation. He has an intensity of perception that makes even the most minor detail come alive with significance. He understands the untidiness of life and relationships, and how things can evolve from moment to moment, and he draws us in to the tension between the uniqueness of individuals and their ordinariness.The other thing that makes the book rewarding is the quality of his writing; the power to observe is useless unless a writer can make us share what he perceives. Of that, Cunningham is a master, as he has shown in every one of his books. His language is simple, even plain, but his sentences are constructed with a skill and care that makes that simplicity shine with beauty, and serve as a vehicle for the most complex of insights. He must surely be one of the finest authors working today.Highly recomended.
Michael Richter –
Habe das Buch während eines sehr entspannten Urlaubs gelesen, wie auch 3 weitere Bücher (somit insgesamt 4 Bücher).Nach Rückkehr und Urlaubsbericht, wusste ich zwar noch zu berichten, dass ich 4 Bücher las, konnte mich auch an 3 davon erinnern aber “By Nightfall” oder Michael Cunningham haben offensichtlich keinerlei Eindruck hinterlassen. Weder im positiven noch im negativen Sinne.Ich erinnerte mich erst wieder als ich das Buch 2 Wochen später wieder ins Regal räumte. Somit muss ich für mich zum Ergebnis gelangen, dass es sich hier um ein gänzlich überflüssiges Buch handelt, welches eigentlich noch nicht mal eine Rezension verdient.Inhaltlich sehr handlungsarm:Mitvierziger New Yorker Ehepaar aus Künstlerkreisen (Er: Galerie-Inhaber einer oberen Mittelklasse Galerie, Sie: Redakteurin einer Kunstzeitung) mit etwas problembehafteter Tochter in Boston (Problem ist nur, dass sie mit ihren Eltern keinen engen Kontakt hält und ihr eigenes Leben lebt) erhält Besuch von dem deutlich jüngeren Bruder der Frau.Der Bruder ist ab und an drogenabhängig aber immer noch gut situiert und bleibt ein paar Tage.Der Ehemann verliebt sich evtl. in den Bruder (weià er selbst nicht so genau) und zum Ende geht es eigentlich so weiter wie vor dem Besuch.Weder inhaltlich noch sprachlich beeindruckend.